Reviews of January's books .
The Hobbit is a classic hero quest story. It has become the
inspiration and template for the modern fantasy genre. And it is an
adventure that is filled with wonder, magic, action and vividly
memorable characters. These are impressive accomplishments for any
story. But considering the fact that The Hobbit was originally intended
to be a simple children’s tale, the success of the book is all the more
pronounced.
Potential readers who are interested in the entire Lord of the Rings
saga would do well to begin their journey with The Hobbit. Although the
Lord of the Rings books loosely follows the overall structure of The
Hobbit, there is a distinct difference in tone, mood and accessibility.
The Hobbit is a simpler tale than The Lord of the Rings. It isn’t
nearly as epic. But it is a more efficient, more humorous, more
pleasing story.
Go to the Frick Collection
in New York and compare Holbein’s great portraits of Cromwell and More.
More has all the charm, with his sensitive hands and his “good eyes’
stern, facetious twinkle,” in Robert Lowell’s
description. By contrast, Cromwell, with his egg-shaped form hemmed in
by a table and his shifty fish eyes turned warily to the side, looks
official and merciless, his clenched fist, as Mantel writes, “sure as
that of a slaughterman’s when he picks up the killing knife.” One of the
many achievements of Mantel’s dazzling novel, winner of this year’s Man Booker Prize,
is that she has reversed the appeal of these towering rivals of the
Tudor period, that fecund breeding ground of British historical fiction
as the American Civil War is of ours.
Thomas Cromwell remains a controversial and mysterious figure. Mantel
has filled in the blanks plausibly, brilliantly. “Wolf Hall” has epic
scale but lyric texture. Its 500-plus pages turn quickly, winged and
falconlike. Trained in the law, Mantel can see the understated heroism
in the skilled administrator’s day-to-day decisions in service of a
well-ordered civil society — not of a medieval fief based on war and
not, heaven help us, a utopia. “When you are writing laws you are
testing words to find their utmost power,” Cromwell reflects. “Like
spells, they have to make things happen in the real world, and like
spells, they only work if people believe in them.” Hilary Mantel’s “Wolf
Hall” is both spellbinding and believable.
There was no mention of more sex or bungee jumps. A palliative nurse
who has counselled the dying in their last days has revealed the most
common regrets we have at the end of our lives. And among the top, from
men in particular, is 'I wish I hadn't worked so hard'.
Bronnie
Ware is an Australian nurse who spent several years working in
palliative care, caring for patients in the last 12 weeks of their
lives. She recorded their dying epiphanies in a blog called Inspiration and Chai, which gathered so much attention that she put her observations into a book called The Top Five Regrets of the Dying.
Ware
writes of the phenomenal clarity of vision that people gain at the end
of their lives, and how we might learn from their wisdom. "When
questioned about any regrets they had or anything they would do
differently," she says, "common themes surfaced again and again."
Saturday, December 1, 2012
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